By Craig Kallendorf; Ward W Briggs; Julia Haig Gaisser; Charles Martindale; Blackwell Reference Online (Online service)
A better half to the Classical culture contains the urgent desire for an updated creation and assessment of the transforming into box of reception reviews. A entire advent and assessment of the classical culture - the translation of classical texts in later centuries. contains 26 newly commissioned essays from a world group of specialists. Divided into 3 sections: a chronological survey, a geographical survey, and a piece illustrating the connections among the classical culture and modern idea. Read more... center a long time / via Jan Ziolkowski -- Renaissance / through Craig Kallendorf -- Baroque / through Ingrid Rowland -- Neo-classicism / by means of Thomas Kaminski -- Romanticism / via Bruce Graver -- The Victorian period / by way of Norman Vance -- Modernism / by way of Kenneth Haynes -- Africa / by way of William Dominik -- Central-Eastern Europe / via Jerzy Axer, with the help of Katarzyna Tomaszuk -- France / by way of Philip Ford -- Germany and German-speaking Europe / via Volker Riedel -- Iberian Peninsula / via Luisa López Grigera -- Italy / by means of David Marsh -- Latin the USA / by means of Andrew Laird -- Low nations / by way of Gilbert Tournoy -- Scandinavia / by means of Minna Skafte Jensen -- uk / via Richard Jenkyns -- usa / by means of Ward Briggs -- Reception reports / through Charles Martindale -- Postcolonial experiences / through Lorna Hardwick -- Gender and sexuality / by means of Alastair J.L. Blanshard -- Politics / through Katie Fleming -- Psychology / by means of Fabio Stok -- sleek and post-modern artwork and structure / by way of Gail Levin -- movie / through Karl Galinsky
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Additional info for A companion to the Classical tradition
They paved the way for the later Arthurian romances of Chre´tien de Troyes, as well as for the equivalents to the ‘‘romances of antiquity’’ in other literary traditions, such as the German (or Dutch) Eneit by the author generally known as Heinrich von Veldeke (before 1150 – ca. 1190). Heinrich and later vernacular poets could draw upon both their Old French predecessors and Latin texts; Jacob von Maerlant (ca. 1230 – ca. 1300), a prolific Middle Dutch poet, provides avatars of such fusion in his Deeds of Alexander and History of Troy ; and in English, Chaucer was only one of several poets who were also inspired by the romances as well as their Latin progenitors (Nolan 1992).
But on the bell tower of the Florentine cathedral they took medieval form: as a knight and a monk, respectively. When Rosso Fiorentino depicts Mars with Venus in a drawing that appears to have been presented to Francis I, however, and Giulio Romano depicts Jupiter with Olympias in the Palazzo Te in Mantua, the medieval trappings are gone (Bull 2005: 157–9, 370). This can only have come about because the Renaissance artist was conscious of historical distance in a way that his medieval predecessor was not.
To shift from mere numbers to statistics, it has been calculated that approximately 21 percent of all Statius manuscripts from the tenth through the twelfth century contain neumes, 15 percent of all Horace manuscripts, and between 7 and 11 percent of Lucan, Terence, and Vergil manuscripts (Riou 1991: 103). The authors whose texts are neumed, such as Statius, Vergil, Lucan, and Horace, are precisely those poets whose texts were copied most energetically in the tenth and eleventh centuries. By the twelfth century, the balance of interest tipped heavily to the advantage of Ovid, for whom no neuming has been discovered in the classical manuscripts.
A companion to the Classical tradition by Craig Kallendorf; Ward W Briggs; Julia Haig Gaisser; Charles Martindale; Blackwell Reference Online (Online service)