By Rinaldo Walcott
Rinaldo Walcott's groundbreaking research of black tradition in Canada, this ebook brought on such an uproar upon its e-book in 1997 that Insomniac Press has made up our minds to submit a moment revised version of this perennial best-seller. With its incisive readings of hip-hop, movie, literature, social unrest, activities, track and the digital media, Walcott's e-book not just assesses the function of black Canadians in defining Canada, it additionally argues strenuously opposed to any concept of an essentialist Canadian blackness. As erudite at the factor of yank super-critic Henry Louis Gates' blindness to black Canadian realities as he's at the rap of the Dream Warriors and Maestro clean Wes, Walcott's essays are thought-provoking and consistently arguable within the most sensible feel of the note. they've got additional and proceed so as to add immeasurably to public debate.
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Additional resources for Black Like Who?: Writing Black Canada
In Another Place, Not Here is a tour de force which recharts this project. The authorities who sanction the racialized space and place of Canada will continue to have to come to terms with the exiles and refugees in their midst. The struggle of diasporic blacks for space in Canada has a long genealogy, and a trajectory that will continue to cause reverberations across all aspects of the national body. I invoke the body, or rather, bodies, here because what is ultimately at stake is the space and place that bodies, both actual and symbolic, occupy in the nation's imagination.
I think that in the case of black Canada this is particularly so. Black Like Who? — 47 George Elliott Clarke, in the important essay "A Primer of AfricanCanadian Literature," offers a genealogy of African-Canadian literature in which he makes some important claims concerning black writers in Canada. While Clarke is paying attention to the active and political deployment of a constellation of African-Canadian works in an attempt to combat "uninformed commentaries" (7) which reduce black Canadian literature to "West Indian Writers," (7) he also offers an interesting project for internal black dialogues, critiques and conversations.
Black studies's continued dependence on ontology might not offer the room that black cultural studies offers for exploring difference, blackness as a sign and locus of ideas and the contradiction and tensions of a diasporic connectedness, among other issues. If I might appropriate the metaphor of movement/motion, which I believe is crucial not only to diasporic principles but also to black cultural studies, then what arises for me is the appearance or desire for a particular stasis (there has been, if I'm reading correctly, too much jogging going on).
Black Like Who?: Writing Black Canada by Rinaldo Walcott